Sony Music Entertainment released the soundtrack to Sense and Sensibility on 12 December 1995. He lost both awards to Luis Enríquez Bacalov's score of the Italian film Il Postino. His musical score earned the composer his first nominations for the Academy Award for Best Original Score and the BAFTA Award for Best Film Music. The score also includes two songs sung by the character of Marianne Dashwood, which Doyle adapted from two poems. Doyle subsequently created a score which he described as "suppressed" with "occasional outbursts of emotion", in keeping with the film's storyline. Director Ang Lee tasked Doyle with creating a gentle score reflecting the emotional suppression of the society featured in the film. The original score was composed by the Scottish composer Patrick Doyle, a friend of Thompson's who had worked with her on many previous films. Furthermore, CEEOL allows publishers to reach new audiences and promote the scientific achievements of the Eastern European scientific community to a broader readership.Sense and Sensibility is the original soundtrack of the 1995 film of the same name starring Emma Thompson, Alan Rickman, Hugh Grant, Kate Winslet and Tom Wilkinson. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. Currently, CEEOL covers more than 2000 journals and 690.000 articles, over 4500 ebooks and 6000 grey literature document.
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In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, publishers and librarians. The purpose of this essay is to examine the feminist messages of Ang Lee’s film in his portrayal of the Dashwood women’s predicament, with reference to the original fiction that is contextualized in particular social and cultural context.ĬEEOL is a leading provider of academic e-journals and e-books in the Humanities and Social Sciences from and about Central and Eastern Europe. What underlies the discourse of sense and sensibility is the two heroines’ nonautonomous life predetermined by the male-dominated social system in the late eighteenth-century England. Through an elaborate analysis of the two female protagonists’ sense and sensibility by reading some relevant scenes, it will explore the representation of British women’s life experiences and argue that the rendering of feminism extends a transcendental sympathy for women’s sufferings, or rather, their emotional distress in the synchronic patriarchal society in Sense and Sensibility. This article engages with the feminist theme of the film version of Sense and Sensibility directed by Lee.
Produced in 1995, it cinematically visualizes an early, inchoate stage of feminist consciousness that is crafted in the binary opposites of Austen’s main fictional characters. Summary/Abstract: Sense and Sensibility is Ang Lee’s first Hollywood film, which is adapted from Jane Austen’s 1811 novel of the same name. Published by: European Scientific Institute Keywords: Sense and Sensibility Ang Lee feminism Jane Austen women marriage